Archive for the architecture Category

How Buildings Learn: Seattle Public Library

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Central Library, Seattle, USA (Rem Koolhaas, OMA)

How does a public library cope in a digital age? How does a physical space handle a virtual classification system such as the Dewey Decimal system, and continuously changing needs?

In the Seattle Public Library’s Central Library, designed by Rem Koolhaas / OMA, books stacks run in a spiral space AKA The Book Spiral (very cool diagram), with removable numbers in the floor so that the library is flexible enough to “learn” and adapt to new needs.

The library embodies many other noteworthy principles that you can find in OMA’s original 1999 concept book for the library.

It’s a space that exemplifies Stewart Brand’s notion of “How Buildings Learn”.

More photos.

Photo Break: Congrexpo

Congrexpo

Lille Grande Palais/Congrexpo, Lille, France (Rem Koolhaas, OMA)

Photo taken in 1995, shortly after Lille Grande Palais / Congrexpo in Lille, France was completed. Designed by Rem Koolhaas/OMA.

Photos from Beijing

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Artwork at 798, Beijing

Although I have visited Hong Kong, this was my first trip to mainland China. My first impressions of Beijing was one of scale: We entered through the new Terminal 3 at Beijing Capital International Airport, designed by Foster + Partners and ARUP. The building is said to represent a dragon in motion, with its undulating roofline. Stepping through the passport control, you see the building on axis for the first time and the way the columns extend out reminded me of drawings of the Italian Futurist Antonio Sant’Elia at the turn of the century, in the way it celebrates modern transportation infrastructure. According to Sir Norman Foster in a presentation at the DLD Conference, Munich in 2007:

[The new Terminal 3] is physically the largest building on the planet at the moment… larger by 17% than every terminal put together at Heathrow [London].

The scale of the building is also reinforced on the exterior, by using an optical illusion to make the building seem stretch out into the vanishing point.

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As we were landing at the airport the pilot informed us that there was about a 3 mile visibility. I thought it rather odd that he was disclosing this information, the first time I’d ever heard it being mentioned inflight. Driving from the airport to downtown, I realized why this information was relevant. Although it was a clear day, there was a haze all around. "Yellow dust" or "hwang-sa" is what they call it in Korea. It’s the dust being blown across East Asia from China’s Gobi desert (See NOAA satellite photo).

Although the trip was primarily business-related, I did get a chance to visit a few local attractions. The Grand National Theatre of China in Beijing, was designed by French architect Paul Andreu, and completed in Dec 2007 after 6 years of construction.

It’s huge - the dome houses 3 freestanding building inside it: the opera, theatre and concert hall. They didn’t allow any cameras through security (but they did allow cellphones with cameras) so I wasn’t able to take any interior photos.

The entrance goes under the moat surrounding the building and you can look up through glass at the water as you enter the building. The dome surrounded by a moat make the building an easy target to be called a "egg" - a fried egg in this case.

798 Art District in Northeast Beijing is a thriving artist community, studios and galleries housed in former weapons factory. The "798" comes from the factory number.

The Chinese government seems to give artist a lot of breathing space these days, allowing open criticism of the government, its open market policies and the negative effects of capitalism on their society. In a way, Chinese artists have it easy, since they have an easy focal point upon which they can base their creative energy, unlike art in the west, which has lost its ideological focus and now can only resort to critiquing itself. My friend put it nicely: it seemed like the Chinese artists were like students in art school, trying to find their voice, uninhibited and full of raw energy.

When we visited it was under heavy construction and renovation in preparation for the tourists that are going to flood Beijing around the Olympic Games this summer. It a shame that the artistic character of area will soon be gentrified beyond all recognition. It will be yet another Soho, Greenwich Village or Williamsburg in New York, now full of galleries and shops with few traces of the artists who pioneered the neighborhood and made it possible.

One thing I found missing from Beijing that I expected was the presence of bicycles. I always remember photos of large cities in China full of masses of people riding bicycles. My friend told me when he first visited Beijing 10 years ago, there were thousands of bicycles on the streets, but now it’s hard to see any due to the ban on bicycles that has gradually been enforced since 1998. They say that China is the faster growing market in automobile sales, and public transportation infrastructure is growing. However I can’t imagine the effects of all those people switching to carbon producing cars will benefit the already fragile state of China’s environment.

America’s Favorite Architecture

AIA\'s America\'s Favorite Architecture website

AIA's America's Favorite Architecture website

The American Institute of Architects (aka the AIA), celebrating its 150th Anniversary, put together a website of America’s favorite architecture. The list was compiled by polling its members. The result is a collection of 150 buildings, bridges, monuments and memorials which users can vote on.

What’s nice is that they have added models to Google Earth, so user can see the location, and see the landmarks in 3D

My personal favorites? (from the list provided by the site)

  1. Grand Central Terminal, New York
  2. The Vietnam War Memorial, Washington DC
  3. Brooklyn Bridge, New York
  4. The Getty Center, Los Angeles
  5. Seattle Public Library, Seattle

Of course, my selections are skewed towards building in New York that have personal significance and buildings I have actually visited.

One glaring omission in my opinion: National Gallery of Art’s East Building, Washington DC, by I.M. Pei. This building is by far my favorite in Washington DC.

Go and vote!

Projecting Corporate Identity to Retail

iriver booth at CES 2008

iriver booth at CES 2008

I used to live in Fairfax Virginia, about 10 minutes away from Tyson’s Corner Mall. Tyson’s Corner was the mythical location of the first Apple Store which opened in the summer of 2001.

When I first visited the Apple Store in 2001, it was like setting foot inside a gallery: very quiet, uncrowded, with patrons admiring Job’s masterpieces, slowly moving from one item to the next. Just before I left for Korea, I had a chance to visit the NYC 5th Avenue store. It was a madhouse.

However despite the difference in atmosphere, what remained the same in both cases was the consistency of the user experience throughout the store conveyed through the layout, knowledgeable staff and careful choice of architectural materials that furnish each store.

Our experience of a store is first impacted by the materials our senses register. Think of a GAP store compared to a Urban Outfitters store. It’s not surprising that someone took the time to take apart all the materials and furnishing in an Apple store, in case you want to build yourself a shrine to Apple’s retailing success in your living room.

A project that I was peripherally involved in was the iriver booth for CES 2008. iriver, best known in the US for its un-iPod MP3 players and other digital devices, is one of only a handful of companies in Korea that maintains a strict control over its products and branding image, much in the same way that Apple does. VINYL the company I work for (along with 607)was responsible for designing and installing the iriver booth (link in Korean). The team took a lot of care to project a clean, sterile environment and even suggested that iriver hire knowledgeable local fans to man the booth. The booth ended up on the Top 25 Booths as selected by Tech-Em and Event Marketer magazine. The most successful part of the booth in my mind is the interactive projection. When a visitor stand in front of the projection, speech bubble pop up above their shadow and follow them around, showing whimsical graphics. The walls of the booth is actually a screen, so all this interaction can also be viewed from the exterior, drawing curious visitor to come inside.

(Photo credit: Vinyl VLab)